• Creating identity: image, typography and content
  • Orthotypographic conventions
  • Digital page layout
  • Typography in contemporary design
  • Lettering
  • Introduction to font creation

Explores different ideas with a unique communicative purpose
Proposes efficient and appropriate messages
Defines appropriate typographical proposals
    · Attendance
    · Punctuality
    · Participation and respect
    · Public presentations (English level and expression)
    · Correction, care and accuracy (Exercices and presentations)
    · Observation, analysis and creativity
    · Vocabulary

Exams 1 term 15th January, 2 term 7th May

The exercises must be delivered ONLY the day and time specified. No work will be accepted after that date. Unfinished activities or not having a minimum level on the presentation wont be taken and assesset.

Any exercise not delivered on date, will be presented in the specified date before the end of each semester. All the exercises of the course must be delivered before the June’s retake.

(First term: 15th of January, second term: 14th of May-sufficiency-punctuality/presentation).

BLACKWELL, Lewis. Tipografia del siglo XX. GG.
CASTRO, Ivan. The ABC of custom lettering. Korero Press, 2016.
CHENG, Karen. Diseñar tipografia. GG.
FRUTIGER, Adrian. En torno a la tipografía. GG, Barcelona, 2002.
JARDI, Enric. 22 consejos sobre tipografia. Actar.
KANE, John. Manual de tipografía. GG, Barcelona, 2005.
LUPTON, Ellen. Thinking with type. Princeton Architectural Press
MARÍN, Raquel. Ortotipografía para diseñadores. GG.
MESEGUER; Laura. Cómo diseñar tipografía. Tipo-e.
SPIEKERMANN, Erik. Stop stealing sheeps and find out how type works. Adobepress U.S.

Fotografia 1er curs Cicle Formatiu de Grau Superior de Gràfica Impresa i Gràfica Interactiva

Fotografia 1er curs Cicle Formatiu de Grau Superior de Gràfica Impresa